Life style design from Japan
Marix Film

Color Film 400D

16,00 

In stock

Description

MARIX Color Nega Film 400D

36 sheets

Kodak Vision3, a popular movie film, has undergone carbon removal to make it compatible with C-41 processing for general development.

It is the same product as Cinestill’s popular color negative film 400D from the United States.

DX code not supported

The spool part at the end of the film is not taped, but is an insert type, so there is no seam and it is safe during development.

Kodak’s designated development laboratory, KJ Imaging, has developed as a product equivalent to Cinestill.

[Perforation information]

There is a description of EASTMAN 5207.

Eastman Kodak 250D Color Negative Film 5207 VISION3

The carbon layer of VISION3 for cinema has been removed to allow general development with C-41.

Please specify C-41 CN-16 for development processing.

(C-41 is a development method specified by Kodak. CN-16 is a development method specified by Fujifilm, which is equivalent to C-41. In general labs, you can specify either or both.)

Details

Weight 0.040 kg
Dimensions 6 × 4 × 4 cm
Brand

Category
SKU MAR000002

About Marix Film

  • Region Osaka
  • Established 2021

The founder of Marix Film, Mr Junji Hida, has been a camera fan since he was a junior high student. He has still full of memories about shooting trips with his mates in 1980s, with his film cameras such as Asahi Pentax and Nikon. One day in 2021, he happened to visit his parens' home and touched his beloved cameras again after several decades. When he decided to carry his cameras once again, he had faced the situation around film cameras. There are not enough supplies of films in the market, since non-digital photoshoots are not major business anymore. "Made in Japan" cameras were and are famous in the worlds, so was films, however, major Japanese film makers are struggling to supply films to the markets. As a serious hobby photographer, Mr Hida decided to get film making back to Japan in 2021. Through Marix Film, he tries to set up a domestic film brand in Japan and supply enough films stably at a reasonable price to film markets.